01 / 滤波引擎
精确塑造每个频段
每个滤波模块都可直接控制 cutoff、resonance、drive、pan、通道模式、滤波类型和斜率。大型响应视图会同时显示激活滤波器及其综合结果。
- Cutoff、Resonance 与 Drive
- 每个滤波器的 Pan 与 Channel 模式
- 多种响应与斜率
- 带 FFT 背景的综合响应

多模式滤波 · 相位 · 调制
一款精密多模式滤波器,用于细致音色塑形、灵活路由和深度调制,并在一个专注的界面中集成实时响应、FFT 和相位分析。

FATSAW SOFTWARE
FSW Filter
FSW Filter 将精细滤波设计、高级路由、相位模式和模块化调制整合在一起,同时保持信号路径清晰、编辑快速。
01 / 滤波引擎
每个滤波模块都可直接控制 cutoff、resonance、drive、pan、通道模式、滤波类型和斜率。大型响应视图会同时显示激活滤波器及其综合结果。

02 / 路由
Route up to four filters as a straight serial chain, fully parallel network or hybrid structure. The routing graphic shows the signal flow directly, so complex combinations stay clear at a glance.

03 / PHASE MODES
Switch directly between Zero Latency, Natural Phase and Linear Phase. The dedicated selector makes the active processing mode explicit at all times.

04 / 调制
Build movement with graphical LFO and ENV modules directly inside the Advanced section. Add modulators as needed, edit their shapes visually and drag each source to compatible filter controls for fast, musical modulation.

05 / FOLLOWER · INT / EXT
Switch an envelope to Follower mode and choose INTERNAL to react to the plugin input or EXTERNAL to follow a sidechain source. Shape the response with Amount, Attack, Release and Sensitivity while monitoring the detector in real time.

06 / 4 FILTERS · RESPONSE & FFT
View the four active filter curves, the combined SUM response and the live output FFT in the same analyser. The keyboard reference makes it easy to relate resonant peaks, cuts and harmonic structures to musical pitch while shaping complex multi-filter patches.

07 / RESPONSE · FFT · PHASE
The main analyser combines the active filter curves, the SUM response and the live output FFT with a dedicated phase area below. Group Delay makes the frequency-dependent timing behaviour visible in the same view, so spectral changes and phase behaviour can be read together.

08 / STEREO · MID · SIDE
Choose whether FSW Filter processes the full stereo signal, only the Mid information in the centre, or the Side information at the edges. This makes it possible to shape tone and space independently without leaving the main global section.
